How many pages does the summer i turned pretty have
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“At that time, it was more about dancing and drinking,” he told me.
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It was fun.” Brad was the front man and wrote all the songs. We weren’t great, but it worked - mixing ska, reggae, and rock. He stated: “We were all about The Police, New Order, The English Beat and Bob Marley. His roommate played blues harp through a little distorted amp and Brad decided it was cool so he kept playing.Īs soon as he got out of college, Brad put a band together and called it Treatment. It wasn’t until he was a sophomore at the University of Illinois that Brad picked up his first guitar. “It was our language and it was our way,” he said. For them, listening to music and going to concerts was everything. Brad said he was pretty shy, but also admits that he and his friends partied a lot. He got a drum kit for his bar mitzvah but, since they lived in a small house, the drums did not last long.ĭuring his high school years, the only music he was involved with was temple choir. “I don’t think I ever made it out of the basement though,” Brad recalled. His earliest memory of playing was bongos along with his older brother and his friends while they played Kingston Trio and Beatles covers.
#How many pages does the summer i turned pretty have movie
Motown also loomed large.īrad “made” his mother take him to see the movie Woodstock before he was 10 years old. Pepper, Frank Zappa, Blood, Sweat and Tears, The Beach Boys’ Pet Sounds, The Who’s Tommy, James Taylor’s Sweet Baby James, Elton John’s Tumbleweed Connection, Blind Faith, and Santana’s Abraxas. An electric current flowed from The Beatles’ Sgt. When Brad’s older brother and sister came home from college, they brought home a deluge of rock ’n’ roll. Count Basie, Benny Goodman, Ella Fitzgerald, Louie Prima and Frank Sinatra took their turns on the stereo. In a suburb called Graymoor, on the south side of Chicago, Brad Cole spent what he calls a boring but safe childhood. After we got our communication strategy out of the way, Brad filled us in on how all this came to be. He delivers mature, highly developed, radio-friendly songwriting and an assured stage presence. I get that comment quite a bit and I guess it’s because Philip is so present on pedal and dobro, but he is hugely versatile - classic country licks in his sleep and Hendrix kind of stuff before breakfast.” The wildest part of it is that Philip lives in New York.ĭuring the On Your Radar set we became more fully aware of why Brad can get this kind of support. When I said that the set sounded very Nashville-like, Brad responded, “It’s not really what we are going for. I asked Brad how he found Philip, and he replied, “Philip was on tour when I heard him playing at The 5 Spot in East Nashville and I started stalking him.” It’s obvious why. The group that gathered around him at Rockwood included genre-jumping bassist Craig Akin (Red Molly, among others), crackerjack drummer Joel Arnow (crisp and restrained, absolutely perfect) and Philip Sterk on pedal steel.
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I had no idea going in that Brad possesses the kind of talent that attracts top-flight backing musicians. The performance that propelled the push for a feature article in these pages was at WFUV-FM DJ John Platt’s May 2013 “On Your Radar” session at NYC’s Rockwood Music Hall.
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We managed to catch him live at another showcase and he stuck out like a GQ cover model strolling the Bowery. Alas, we’d already filled all of our spaces and couldn’t fit him in. His voice has a sharp, unerring, laserlike quality, homing in on those uneasy truths most of us evade.īrad had gotten in touch with me through another performer about picking up a slot in our guerrilla showcase at the 2012 Northeast Regional Folk Alliance Conference. That’s how it is with singer/songwriter Brad Cole. We probably missed the years it took to develop that command, but the performer’s execution gives the appearance of it always having been there. Something in the stance an easy, relaxed, but assured presence. There are some performers who seem born to command a stage.